Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), Deliverance of Saint Peter, 1513-14, fresco, 660 cm wide, Vatican, Vatican Museums.
Month of July.
This fresco, like the one seen last month, is also located in one of the four rooms of Pope Julius II's apartments. Today, it is called “Heliodorus' room,” and it was once destined for the Pope's private audiences; all four walls had as many episodes in which God's miraculous protection of the Church and its Popes was manifested.
Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), Disputation of the Holy Sacrament, 1509, fresco, 500 cm x 770 cm, Vatican, Vatican Museums.
14 June, Solemnity of the Most Holy Body and Blood of Christ (Corpus Christi).
The large fresco is part of the decoration of one of the 4 Raphael Rooms, painted with his students for Pope Julius II of the Della Rovere family, who entrusted the young genius from Urbino with the task of painting the rooms of his private apartment.
Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), Madonna and Child with the Infant John the Baptist (known as Madonna of the Goldfinch), around February 1506, oil on wood, 107 cm x 77 cm, Florence, Galleria degli Uffizi.
Month of May.
The peculiarity of Raphael's painting is not so much the subject (the Virgin was often represented with the little Jesus and his cousin John the Baptist) but the choice to set the scene in a completely open space. The panel was painted for Lorenzo Nasi, who wanted it in his Florence’s house on the occasion of his marriage to Sandra Canigiani, held on February 23, 1506.
Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), The Deposition, 1507, oil on wood, 184 cm x 176 cm, Rome, Galleria Borghese.
10 April, Good Friday.
This beautiful painting is signed and dated (RAPHAEL URBINAS MDVII) on the rock in the bottom left corner, showing that it was an important work for the painter as well.
Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), The Annunciation, 1502-1504, tempera on panel, 27 cm x 50 cm, Vatican City, Vatican Museums.
25 March, Solemnity of the Annunciation of the Lord.
This small painting is part of the predella of a large altarpiece depicting the Coronation of Mary. It is called Oddi Altarpiece because it was painted by Raphael for the altar of the Oddi family chapel in the church of San Francesco al Prato in Perugia, Italy. The painting, delivered at the beginning of the sixteenth century, is the youthful work considered the closest to the style of Perugino, the master of the great painter from Urbino.
Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), Madonna of the chair, 1513-14, oil on panel, 71 cm x 71 cm, Florence, Italy, Palatine Gallery
The size of the panel makes us think of a painting intended for private devotion. The type of chair on which the Virgin was painted (it is a "chamber chair", which was widespread in the papal court during the Renaissance) and the fact that the painting appeared in the Medici Palace in Florence a few decades after its execution lead us to suppose that it was commissioned to Raphael by Pope Leo X, of the Medici family (he was the second son of Lorenzo the Magnificent), to make a gift perhaps to his nephew Lorenzo, lord of Florence since 1516.
Raffaello Sanzio, known as Raphael (Urbino, Italy 1483 – Rome, Italy 1520), Sistine Madonna, 1513-14, oil on canvas, 265 cm x 196 cm, Dresden, Gemäldegalerie Alte Meister.
1 January, Solemnity of Mary, the Holy Mother of God.
On 6 April 2020 will be the 500th anniversary of the death of Raphael, certainly one of the absolute geniuses of the Italian Renaissance. A selection of his works will accompany us during this year, sure that the pinnacles of beauty reached by the painter from Urbino will help our reflections.
School of Francisco de Zurbarán (Fuente de Cantos, Spain 1598 – Madrid, Spain 1664), Saint Eulalia, 1640-50, 173 cm x 103 cm, oil on canvas, Seville, Spain, Museum of Fine Arts.
10 December, Memory of Saint Eulalia.
Let's start by reading some of the verses that a modern poet, Federico García Lorca, dedicated to the most famous saint in Spain, the martyr Eulalia. They are taken from one of the 18 "Romances" that constitute his most important poetic collection, Romancero gitano (Gypsy Ballads), published in 1928.
Stefano Maderno (Capolago, Switzerland, 1576 – Rome, Italy, 1636), Saint Cecilia, 1600, marble, Rome, Church of Santa Cecilia in Trastevere
22 November, Memory of Saint Cecilia.
The story of the beautiful statue in white marble, placed under the altar and the ciborium of the church of Santa Cecilia in Trastevere, is closely linked to the story of the Roman martyr saint.
Hans Memling (Seligenstadt, around 1436 – Bruges 1494), Saint Ursula protecting her virgin companions, 1489, oil on wood, 45.5 cm x 18 cm, Bruges, Memlingmuseum.
21 October, Memory of Saint Ursula and companions.
The history of St. Ursula is widely spread in Christian Europe and several legendary elements have been added to it. Her story is said to have taken place between the 4th and 5th centuries AD. She was probably the victim of the persecution of Diocletian or perhaps that of Attila, King of the Huns, who was quite harsh on Christians. Let us try to highlight some essential details of her life.
Gjergj Kola (Durrës, 1967), Saint Teresa of Calcutta, oil on canvas.
5 September, Memory of Saint Teresa of Calcutta.
It feels nice to present a painting of the great saint painted by a young compatriot of hers. When Agnes Gonxhe Bojaxhiu - this is the family name of the one we all know as Teresa of Calcutta - died in the great Indian city, Gjergj Kola was just 30 years old and had moved 6 years before, for political reasons, to nearby Greece.
Bartolomé Esteban Murillo (Seville 1618 –1683), Saint Rose of Lima, around 1670, 145 cm x 95 cm, oil on canvas, Madrid, Lázaro Galdiano Museum
23 August, Memory of Saint Rose of Lima.
The Saint, with her Dominican habit, is on her knees, contemplating the Christ Child, who is sitting on a pillow on the linen basket and is raising his left hand towards the Saint in a caressing gesture, while with his right hand he seems to give her (or is he rather taking them?) roses. From the mouth of the child comes out a Latin inscription that means: "Rose, you will be the bride of my heart." On the floor, next to the basket, there is a book and there are other roses. In the background, on the right, there is a building, which is undoubtedly the convent, partly covered by a bush of roses.